It’s true that there are no shortage of emotive folk artists in the world, but that certainly does not negate their ability to make an impact.
Take Greylag for example; the band has captured such purity in their music that it is impossible not to connect with them. Minimal and raw, their debut EP, The Only Way To Kill You, is far too short to do justice to the depth of emotion that the band is capable of.
In a way that I can’t quite describe (maybe because I haven’t been myself) it makes complete sense for them to pay homage to the Pacific Northwest with their mix. Yes, the band is based in Portland, but the relationship is deeper than that. Their whole “musical aura” seems to be the color of gloomy skies, and the feel of a cool drizzle on your skin. (more…)
Behind many independent music supervisors, especially in the television world, there is a studio executive working with several other independent music supervisors trying to keep multiple shows on course and colleagues on all levels happy.More often than not, these are the less glamorous positions; their names may not be in the credits, but studio music execs are still reading every script, watching every cut, solving clearance struggles and giving creative notes. Not only that, the creatives on a project (director, producers) can sometimes perceive them as the “bad guy,” pushing corporate studio agendas at the expense of their vision. The best ones can serve both to an equal degree at the same time – Russell Ziecker is one of these. (more…)
It’s no big secret that artists need to have solid live show to be successful. Similarly, it’s always a disappointment when a great album does not translate to a dynamic live show.Los Angeles quintet Vanaprasta does not have that issue. For the past few years the band has built a strong reputation almost entirely by their larger than life stage presence. They are a fixture on the music scene here, turning heads at the Sunset Strip Music Festival in 2010 and impressing audiences at their Satellite residency this past November. Nor are they strangers to the national arena; Vanaprasta made waves at this year’s CMJ Festival and have played at least a couple shows at every SXSW since 2009, really taking the festival by storm in 2011 with a total of eight shows during their time in Austin. (more…)
Music and setting have always been very closely linked. For example, it’s common knowledge that Bon Iver wrote For Emma, Forever Ago in a cabin in Wisconsin. That isolated, icy sound translated into the music and now, who can listen to those songs and not be transported to a snowy forest?
Certain concerts are made that much more memorable or magical by the location too – TV On The Radio at the Hollywood Bowl, Milo Greene in a living room.
The combination of location and timing plays a role in the affect music has on us as well. I will never forget seeing Local Natives for free at Spaceland (now the Satellite) during their residency. I had barely heard of them and was totally blown away. Considering the venues they went on to play the following year (including Walt Disney Concert Hall) it’s an incredible memory to have seen them on the tiny, sparkling Silverlake stage.
I was in the right place at the right time.
It was a serendipitous combination of location and timing that led me to The Barr Brothers as well – not only my personal discovery of the band, but it’s very formation. And the music itself even evokes a specific sense of place.
Nima Kazerouni might be the busiest person in East LA. Echo Park, Silverlake, Eagle Rock. Actually, throw Long Beach in there too. And San Diego. At the core of a slew of local bands including Pulse Out,Snaggletooth, and most recognizably the frontman of So Many Wizards, Kazerouni plays in venues all across SoCal on an almost monthly basis.
So Many Wizards’ unique brand of hazy, bedroom pop with a quirky edge has taken hold of the local music scene – never more so than over the course of 2011. They stole the show from Puro Instinct at one of the last Brand X LA Unheard concerts in April, and released a brand new 7”, a follow up to the band’s 2010 EP, Love Songs For When You Leave Me. There have been line-up changes and additions the result of which is a new lush, bigger sound, and one that Kazerouni is particularly excited about. Most recently, So Many Wizards has shared stages with a slew of other buzz bands, including Unknown Mortal Orchestra, Lord Huron, Real Estate and more. It’s only a matter of time before audiences across the country are just as familiar with Kazerouni’s playful falsetto, bouncy melodies and the name “So Many Wizards.”