Photo Credit: Cara Robbins
The kids these days. They are getting younger, wiser and more talented. Some of them are even extremely humble and kind. Specifically I am talking about Andrew St. James, a poet out of San Francisco who, at the age of 19, released his second (not his first) LP titled The Shakes in December.
He must get remarks like this all the time, but at the age of 19 I was a peon in the college theater ecosystem and making terrible decisions with regards to men.
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Awards season is officially in full swing. Some big ones are behind us, but the big one is still ahead. It seemed like as good a time as any to take stock of where things stand for the film and television music communities (but mostly film).
Spotify playlists of all nominated songs and selections from each score (across all the awards) can be found below!
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Last week the film, TV, trailer, and advertising music communities celebrated the 5th Annual Guild Of Music Supervisors Awards, honoring brilliant work in the craft across all disciplines
Both Variety and Billboard, published recaps of the event, which featured performances by Laura Welsh, Mat Kearney and Kevin Ross, and special guest presenters like Moby, Stuart Murdoch (Belle & Sebastian), Ester Dean (Pitch Perfect), Gavin Rossdale and more, all of whom seemed to rather get a kick out of the whole thing.
My personal assessment is that it was an amazing and inspiring experience to be surrounded by so many peers, friends and mentors. A nice reminder of what an amazing community I stumbled into, and how lucky I am to work, struggle and create alongside these people every day. To be able to call myself a “music supervisor”. And the lamb lollipops were on point.
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Photo Credit: Roman Koval
What is this sparse, synth-driven R&B trend officially being called? Neo-R&B? Electro-R&B? Whatever it is called, it is quite rare that this type of music really grabs me; while I can confidently say I am sent a great deal of this, it is a challenge to come up with a list of bands. Sure there are some winners in every catalog, but more often than not it all just sounds the same to me. The bands traversing in this area are a blur of beats and soulful moans.
Not so with the LA-based Dead Times, or at least the majority (majority!) of the tracks I’ve heard from them thus far.
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If you love musical theater, costume changes, fabulous leading ladies and/or dancing, you must stop reading and turn on Steed Lord right now (or just scroll down).
Hailing from Iceland, the trio is fearless and fun, yet polished, expert performers. I had the great pleasure of being at Space15Twenty for the single release party for “Stutter” a few weeks ago and the experience was a ferocious combination of all of the above descriptors. See for yourself:
Whenever music lands in my email inbox labeled “dance floor anthem” this is what I hope it will be. Too frequently I am disappointed, being serviced with a sparkly, pulsating ocean of repetitive beats and synth riffs. Steed Lord, however, cuts through the waves with real attitude, mostly due to the vocals of lead singer, Svala: clear, sultry and rich.
Whether you’re an all night dance hall queen or just going out to grab drinks with a few friends, Steed Lord will put you in the mood to conquer the evening. If they keep making more music like “Stutter” and “Curtain Call” I will be along for the ride.
File Under: Robyn, Niki and The Dove, Austra, dance, pop, party, synth