Not doing anything tonight? Live in Los Angeles? Dig the track below? Brit rockersBombay Bicycle Club will be at the Fonda tonight with Vacationer. It is bound to be a refreshing end to your Wednesday. How can you not bop while listening to this song? File Under: Vampire Weekend, Two Door Cinema Club, Animal Collective, bouncy, sparkly, lush, electronic, pop
I recently declared that this blog was going to be all about me. Well, that’s kind of true here. Yes, this post features a mixtape from the class clowns of the Los Angeles music scene, LA Font, but I’m going to start by talking about a book that I am reading.
Considering how many times I’ve recommended it, it’s embarrassing that I’m just over halfway through it, but Our Band Could Be Your Life by Michael Azerrad is a must read for any music writer (or fan). Particularly if you like indie rock. Or punk rock. Or garage rock. Which brings me to LA Font. (more…)
“What helps offset the predictable in this very predictable movie is a series of show-stopping numbers, so props to the folks who oversaw music and choreography.” – Betsy Sharkey, Los Angeles Times Film Critic
Full disclosure to anyone reading this, I myself helped out on this film for just under half of the process; my boss is one of those “folks who oversaw music.”
It doesn’t take a member of the music industry, though, to appreciate how much work went into the musical aspects of Pitch Perfect. Julia Michels and Julianne Jordan were the executive music producers of the film – responsible for working with the director on music selection, overseeing all the a cappella arrangements, music clearance, both pre-recording and vocal sessions during post-production, facilitating the creation of the three recorded mashups in the film, playing vital roles in the creation of the soundtrack and so much more. (more…)
I have been obsessed with this song for a while now. I mean, it’s retro-soul that is based on a Wu-Tang Clan sample. What?! In case you missed me raving on Facebook, or were not one of the many people I forced to listen to it – here you go.
File Under: Nick Waterhouse, The Heavy, 1950’s, soul, New Zealand, glitch, rockabilly, swagger, Wu Tang sample, a good time
Willy Moon “Yeah Yeah”
The video is trippy and awesome as well. And if you’re into gangly, well-dressed men, with adorably awkward dance moves, this will make you combust. (more…)
Among all the skills necessary for a music supervisor to master, perhaps the most difficult is how to be an ally to everyone. No two collaborators are the same. Different taste. Different agendas. Different levels of tech savviness. The list goes on. Producers, Studio Executives, Music Editors, Editors, family friends, spouses…I’ve seen all of these folks be called in to submit their opinions on song selection at one time or another. Of course, the most important person to please on the creative team is the director. The director needs to feel taken care of, confident that you are doing everything in your power to serve their vision and make their precious baby come to life exactly how they’d like (which I don’t mean in a derogatory way – I’m sure any director will agree to the film/baby analogy).
But it’s not just those making the film or television show that a music supervisor has to attend to. Even when there are zero dollars in the budget to bargain with, labels and publishers also need to feel appreciated and valued. To know that you are always fighting to get their artists paid what they are worth. It’s their job to support their artists, and to do so they need you to support them. For a music supervisor, problems arise when these two core desires (to complete the director’s vision and ability to pay artists a good/fair price) come into direct conflict.