With the annual South By Southwest Music, Film and Interactive Festival now just days away, industry professionals from blogger to supervisor are all hustling to catalog, notate and RSVP to entire inboxes full of artist schedules and event invitations. Of course, the day they land in Austin on March 14 (or earlier), the meticulous work will all be in vain, swept away by word of mouth and tagging along with friends to that secret show no one else knows about. Thus is the glorious standard operating procedure at SXSW.
For most people I know, the above rarely includes conference panels. It’s easy to enjoy the festival without spending the $500 – $750 on a badge, and avoiding the Austin Convention Center entirely. Still though, SXSW was founded on a conference and that is still at it’s core. (more…)
Ever left a movie wondering what that great song was? Each week Music In Media will spotlight tunes and explore collaborations between music and the Arts.
Chuck, the little show that despite being on the bubble for almost all four seasons of its existence, keeps on trucking, has returned to Monday nights on NBC. For those of you who’ve never caught an episode (and you really should make an effort to do so), it’s about a Geek Squad employee (Zachary Levi) who accidentally downloads a program containing government secrets into his brain, and some special powers as well, like an instant knowledge of kung-fu and swordplay. Together, with his CIA and NSA handlers, he finds himself thrust into the spy game and accidentally does pretty well. At the end of last season, Chuck’s place of employment, the Buy More (think Best Buy) exploded, Chuck quit being a spy, finally got his girl, then found out that his mom (Linda Hamilton), who disappeared when he was kid, was actually a spy on the run.
We kick off the new season with Chuck’s quest around the world to track her down; a journey that takes place in a matter of minutes due to its epic failure. Soon he’s back at square one—no mom, no job, no spy missions. After a series of terrible corporate job interviews, Chuck is left with only one option—the Buy More, version 2.0. However, as Chuck and his sidekick/best friend, Morgan (Josh Gomez), enter the store, they notice something different. It’s been entirely rebuilt as a CIA base. The TV department turns into a surveillance center. Trap doors and chutes are hidden everywhere. All the employees are highly trained (and highly attractive) CIA operatives.
I know, I know. This soundtrack was the talk of the town weeks ago. Florence! Muse! Vampire Weekend! It’s old news. We’re past it. Why review it now?
Well, it’s one thing to put together an awesome compilation, but it’s a much harder task to ensure so many stand out tracks fit in the fabric of the movie – a cheesy, tweeny blockbuster vampire movie, nonetheless. To be perfectly honest, I sometimes think that the great Alexandra Patsavas – while brilliant and talented and with a knack for finding great undiscovered tunes – sometimes takes me out of the story going “Oooh! Miike Snow!” for a 4 second use. At the very end of the first Twilight movie, when Linkin Park launched us into the end credits I think I may have groaned out loud.
That said, – Eclipse was a breath of fresh air. Patsavas nails it. The songs blend in when they’re supposed to, and enhance key moments that need some extra oomph. It’s still a cheesy, tweeny vampire movie (Taylor Lautner as Jacob says to Robert Pattinson’s Edward Cullen at one point: “I mean let’s face it, I am hotter than you” cue theatre bursting into applause), but this time the music is what gives it – at least some – street cred.