Chuck

TV / Music in Media / The Constellations in Chuck

chuckposter Music In Media: The Constellations In Chuck

Ever left a movie wondering what that great song was? Each week Music In Media will spotlight tunes and explore collaborations between music and the Arts.


Chuck, the little show that despite being on the bubble for almost all four seasons of its existence, keeps on trucking, has returned to Monday nights on NBC. For those of you who’ve never caught an episode (and you really should make an effort to do so), it’s about a Geek Squad employee (Zachary Levi) who accidentally downloads a program containing government secrets into his brain, and some special powers as well, like an instant knowledge of kung-fu and swordplay.  Together, with his CIA and NSA handlers, he finds himself thrust into the spy game and accidentally does pretty well. At the end of last season, Chuck’s place of employment, the Buy More (think Best Buy) exploded, Chuck quit being a spy, finally got his girl, then found out that his mom (Linda Hamilton), who disappeared when he was kid, was actually a spy on the run.

We kick off the new season with Chuck’s quest around the world to track her down; a journey that takes place in a matter of minutes due to its epic failure. Soon he’s back at square one—no mom, no job, no spy missions. After a series of terrible corporate job interviews, Chuck is left with only one option—the Buy More, version 2.0. However, as Chuck and his sidekick/best friend, Morgan (Josh Gomez), enter the store, they notice something different. It’s been entirely rebuilt as a CIA base. The TV department turns into a surveillance center. Trap doors and chutes are hidden everywhere. All the employees are highly trained (and highly attractive) CIA operatives.

Read the rest at Strangers in Stereo…

TA Mixtape / Music In Media: TV Dinner

by Andrew Thomas

“It just sort of introduces the idea that you’re in for something pretty idiotic.” – Larry David

I love food. I love eating it. I love making it. I love talking about it. I love hearing people talk about it. I even love watching people make it on competition based television shows. Unfortunately, those shows by nature must leave out one of my favorite elements of food: the smell. When you enter a restaurant owned by a knowledgeable chef, you’ll notice the immediate presence of a powerful, distinct and pleasing aroma. It heightens the anticipation. It lets you know the type of food is on the way. It focuses your senses on the tastes and textures to come.

A good theme song is the television equivalent to a tantalizing aroma before a delicious meal. It whets your appetite for the rest of the show. The tone of the song will let you know if the show will be light, dark, comedic, dramatic, intense, intelligent, unconventional, or any number of things. When you hear the twanging guitars and mournful fiddle of Deadwood’s Opening Sequence, you know you’re not in for a buddy cop comedy. When you hear The Barenaked Ladies prattle off a Brief History of The Universe, you know you’re not watching a show about a rape lawyer.

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