I’ll admit, for most of my collegiate first few post-grad years, when I first moved to Los Angeles, my musical knowledge was very limited. It wasn’t because I didn’t love music, I just viewed the world of music much like I still do Sephora: vast and overwhelming. I didn’t know where to start.
When I first started dating my current boyfriend, one of the first artists I remember hearing in his car was The Avett Brothers. It was right around when I And Love And You came out, and I was transfixed. I listened to it so much that I was actually able to learn the words to most of the songs (something I am terrible at). This was the kind of music I liked. (more…)
DJs have always fascinated me. It’s a job that seems so easy from the outside – how hard can it be to make a playlist and crossfade from song to song? – but just stand behind a really talented DJ for a few moments and you can’t help be overwhelmed by how much is actually going on. So many moving parts that all need to be perfectly balanced lest the flow be ruined. Being a DJ is an art requiring intense concentration, a delicate hand, and real musical sensibility.
Ever left a movie wondering what that great song was? Each week Music In Media will spotlight tunes and explore collaborations between music and the Arts.
I’ll be honest, I don’t watch One Tree Hill. At no point in its seven season (now eight) run have I ever really had a desire. No offense to the fans, but with a revolving cast of beautiful people constantly in intense, dramatic situations, the show kind of seems like a soap opera for teens. The only reason I turned to it today was while skimming the music used in shows that aired this week. As I’ve said before, The CW usually features some hip names, and One Tree Hill—music supervised first by Madonna Wade-Reed and then for the most part, Lindsay Wolfington—was no exception. A few artists caught my eye so I gave it a shot.
Having now seen a full episode of the show I don’t think I was wrong in my snap assessment. From what I can gather, an episode or two ago, a couple (Clay and Quinn) were shot by a jealous ex of Clay’s. The last episode found them tooling around purgatory both able to see each other and their friends as they anxiously hover over their bodies in the hospital, but unseen by anyone else. Clay convinces Quinn to return to the living for the sake of her pregnant sister, and makes Clay promise that he won’t die on her. Episode three of the season, The Space in Between picks up with Quinn (Shantel VanSanten) conscious and Clay (Robert Buckley) on the verge of death while his “ghost” self hangs around the hospital watching everything go down. He meets a fellow “in-betweener” who is in a coma due to a car accident, and together they look over Clay’s lifeless body shortly after he receives another negative prognosis.