By Amanda DK

Behind many independent music supervisors, especially in the television world, there is a studio executive working with several other independent music supervisors trying to keep multiple shows on course and colleagues on all levels happy.More often than not, these are the less glamorous positions; their names may not be in the credits, but studio music execs are still reading every script, watching every cut, solving clearance struggles and giving creative notes.  Not only that, the creatives on a project (director, producers) can sometimes perceive them as the “bad guy,” pushing corporate studio agendas at the expense of their vision.  The best ones can serve both to an equal degree at the same time – Russell Ziecker is one of these.
Get to the good stuff after the jump »

By Amanda DK

Photo Credit: Dylan Bell

It’s no big secret that artists need to have solid live show to be successful. Similarly, it’s always a disappointment when a great album does not translate to a dynamic live show.Los Angeles quintet Vanaprasta does not have that issue.  For the past few years the band has built a strong reputation almost entirely by their larger than life stage presence. They are a fixture on the music scene here, turning heads at the Sunset Strip Music Festival in 2010 and impressing audiences at their Satellite residency this past November. Nor are they strangers to the national arena; Vanaprasta made waves at this year’s CMJ Festival and have played at least a couple shows at every SXSW since 2009, really taking the festival by storm in 2011 with a total of eight shows during their time in Austin.
Get to the good stuff after the jump »

By Amanda DK 

Photo Credit: Andre Guerette

Music and setting have always been very closely linked. For example, it’s common knowledge that Bon Iver wrote For Emma, Forever Ago in a cabin in Wisconsin.  That isolated, icy sound translated into the music and now, who can listen to those songs and not be transported to a snowy forest?

Certain concerts are made that much more memorable or magical by the location too – TV On The Radio at the Hollywood Bowl, Milo Greene in a living room.

The combination of location and timing plays a role in the affect music has on us as well. I will never forget seeing Local Natives for free at Spaceland (now the Satellite) during their residency. I had barely heard of them and was totally blown away. Considering the venues they went on to play the following year (including Walt Disney Concert Hall) it’s an incredible memory to have seen them on the tiny, sparkling Silverlake stage.

I was in the right place at the right time.

It was a serendipitous combination of location and timing that led me to The Barr Brothers as well – not only my personal discovery of the band, but it’s very formation.  And the music itself even evokes a specific sense of place.

Get to the good stuff after the jump »

It should be made an official rule: If you have never heard of (or even heard) The Parson Red Heads, you cannot consider yourself a fan of the local Los Angeles music scene.  I’d even wager that 75% of the people living in the Silverlake, Los Feliz, and Echo Park know one of the past or present members personally.  Of course, considering that at any one time they could have as many as 15 members on stage (though there are 6 core members of the group), that’s not as great of a feat.  And with that many members, chances are even if you haven’t seen The Parson Red Heads as a whole, you will definitely have seen a past or present Parson out and about performing at different times with other LA bands like The World Record, The Idaho Falls, The Ghost Kings, Hungry Birds and up in Portland, Houndstooth, Old Light and Denver.  They’ve even got a new side project, Dome, kicking into gear soon, which I’m told “will be heavy”…but I digress.

Get to the good stuff after the jump »

DJ Bumbaclot

DJs have always fascinated me.  It’s a job that seems so easy from the outside – how hard can it be to make a playlist and crossfade from song to song? – but just stand behind a really talented DJ for a few moments and you can’t help be overwhelmed by how much is actually going on.  So many moving parts that all need to be perfectly balanced lest the flow be ruined.  Being a DJ is an art requiring intense concentration, a delicate hand, and real musical sensibility.

Get to the good stuff after the jump »