By Bekah Touma
The New Year is always exciting for me. I love to look back and make lists of some of my favorites of the previous year. It has been a ritual of mine for a while as a way to keep a nostalgic record of the years. Music is obviously a big part of how I experience life. A favorite covers list is actually something I had yet to do until now, but I already feel that it’s going to be a necessity moving forward. That said, this was an extremely difficult process. After a couple weeks (or a few months) of repeatedly listening to hundreds of tracks, I was able to narrow my engorged list down to 15. Here they are below in no particular order – to rank them would have delayed this article until the Spring:
By Amanda DK
Some people think music supervision is just picking the songs trending on blogs that week. While good musical taste is certainly a job requirement, it is by no means the most important skill a music supervisor needs to be truly great. You need to know how to clear a song, how to negotiate, how to draft a license, and not only how to keep track of all that paperwork, but translate the important information to the entire production team – while still keeping everyone happy. The best music supervisors are extremely creative and extremely organized. Madonna Wade-Reed is one such music supervisor.
A spitfire with wild hair and limitless energy, Reed got into “the industry” via the music video world and, after segueing into supervision, has worked on a wide variety of television and film projects. On the film side, A Thousand Words (yet to be released), My Boss’s Daughter, The Perfect Scoreand most recently, the television movies and FRED 2: Night Of The Living Fred and Fred: The Movie (based on Lucas Cruikshank’s popular YouTube character), for which she received a nomination by The Guild of Music Supervisors for their “Best of 2010” awards. On the television side the Montreal, Canada native has music supervised several hit series known for their stellar soundtracks: Summerland, What About Brian, Smallville, Felicity, to name just a few, the last being one of the first to bring attention to music in television, paving the way for the music driven shows of today. She even kicked off the first two seasons of CW mainstay, One Tree Hill, and most recently created the sound for the Charlie’s Angels reboot for ABC, which was unfortunately cancelled a few weeks ago, but featured tracks by artists from Lykke Li to Rise Against to Jennifer Lopez.
In between wrapping up her third season on raunchy college football comedy, Blue Mountain State (Spike) and the January 3rd premiere of Jane By Design (ABC Family), Madonna took time to put together a mix of songs for TA that are guaranteed to take you to a magical place, titled “Adult Fairy Tales.” We then met up at the delightful Oaks Gourmet, where she gave me some insight into her own journey, creating a successful soundtrack, the difference between fairytales for adults and children, and her most transcendent concert experiences (trust me, they can’t be beat).
I don’t know about you, but when I was 19 years old my mind was occupied with getting good grades, play rehearsal (I was a theatre nerd), and what I was doing that Saturday night. Meet Matt “FX” Feldman, who spent his nineteenth birthday hard at work on one of the most hyped telvision shows of the past year. The job: music supervisor. The show: Skins, a sexy – often constroversial – adaptation of the UK hit show by the same name.