media

Music in Media / Your Guide to the SXSW Music Conference 2012

By Amanda DK

 

With the annual South By Southwest Music, Film and Interactive Festival now just days away, industry professionals from blogger to supervisor are all hustling to catalog, notate and RSVP to entire inboxes full of artist schedules and event invitations.  Of course, the day they land in Austin on March 14 (or earlier), the meticulous work will all be in vain, swept away by word of mouth and tagging along with friends to that secret show no one else knows about.  Thus is the glorious standard operating procedure at SXSW.

For most people I know, the above rarely includes conference panels.  It’s easy to enjoy the festival without spending the $500 – $750 on a badge, and avoiding the Austin Convention Center entirely.  Still though, SXSW was founded on a conference and that is still at it’s core.
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Film + TV / Your Music In Media Guide to the 54th Annual Grammy Awards

By Amanda DK

It seems as though the 54th Annual Grammy Awards have received more flak from the indie community this year than any other year (in my memory at least).  Weren’t we all over “Grenade” by last February? Didn’t Mumford and Sons Sigh No More come out in 2009?  Bon Iver for Best New Artist?  For Emma, Forever Ago was released in 2008.  And if the music community scoffed (mostly) anonymously into the social media ether, Justin Vernon made his reaction public.

To be honest, the music in media categories feel similar.  Burlesque, Tangled and The King’s Speech all received nods during awards season last winter.  The public has moved on.  After this though, the only major awards show left is the Oscars, which has already caused discomfort in the music supervision world for only nominating two songs and then not inviting either to perform.
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Got It Covered / Introduction and the Rules of a Great Cover Song

A look at the art of the perfect cover and some impactful pairings with visual mediums

By Bekah Touma

 

 

 

 

 

 

The first few notes sound oh so familiar…you may start to hum or sing along but soon realize something seems to be slightly off.  Ah yes, this must be a cover.  After racking your brain for the original the cover starts sinks in.  Here is where I decide if I love it or hate it.

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Music in Media RETROSPECTIVE / TV / The Adventures of Pete & Pete

The Adventures of Pete & Pete aired from 1993 – 1996, which for me was roughly third through sixth grade. Like most things during that era, the details are now a bit fuzzy, but the emotions remain clear. I remember worshiping Little Pete and wanting to have adventures like his. I remember looking up to Big Pete and wishing I had a big brother too. I remember high school seeming like a million years away.

A few weeks ago a friend revealed that she had the first couple seasons on DVD. Naturally we watched a few episodes. As the credits rolled at the end of one of them, a familiar band name jumped out at me: The Magnetic Fields . I was stunned. Here I was watching something that aired almost a decade ago, using music still popular today. Not long after this, I stumbled across a cover of the theme song, “Hey Sandy,” recently done by the band Grand Lake – 6 blogs had featured the track. Memories were flooding back and with them a new awareness of just how big a part of the series the music was.

In my research for this article I found an interview done by Robert Agnello – another musician/artist involved in the show – with creators Will McRobb and Chris Viscardi in October 2008. Over a decade over the show went off the air, it’s clear that Pete and Pete still holds a special place in all of their hearts. In the interview they chat about various aspects of the show, with a focus on the music. Agnello begins the discussion by recounting:

“I’ll always remember talking to you about doing music for you guys and I think it was you Will who said, ‘go listen to Yo LaTengo and The Lemonheads.’”

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