Other Lives

Neat Tracks / Other Lives “Dust Bowl III”

By Amanda DK

A current trend in film and television music, and one that I’m continuously excited to watch develop, is artists scoring, or collaborating with established composers on, projects.  Trent Reznor and Atticus Ross on The Social Network and The Girl With The Dragon Tattoo.  Hans Zimmer teaming up with Rodrigo y Gabriela on Pirates of the Caribbean: On Stranger Tides. Daft Punk scoring TRON: Legacy.

What does this have to do with the much-lauded TBD recording artists, Other Lives?  If there was ever a remake of the film version of The Grapes of Wrath, I would love to see that band score it.  At the very least contribute a few songs.

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Tadpole Audio’s 45 Favorite Songs of 2011

By Amanda DK

‘Tis that time of year again.  When it begins to snow on the east coast, turns to sweater weather on the west coast and music lovers far and wide begin posting their lists of the best 50 or 100 songs of 2011.  First of all, I only got to 45 this year and second of all I don’t feel comfortable claiming these songs to be the “best.” “Best” is a strong word.  In no particular order, below you will find just some of the songs that moved me personally this year. Moved me to dance, sing, cry, stomp, flail, fist pump, clap, smile, jump, shout, hum, or sometimes all of the above.  I can only hope you love them half as much as I do; maybe even get turned on to an artist you’ve never considered before.  Enjoy!

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Guest Mixtape + Interview / Madonna Wade-Reed: Adult Fairy Tales

By Amanda DK

Some people think music supervision is just picking the songs trending on blogs that week. While good musical taste is certainly a job requirement, it is by no means the most important skill a music supervisor needs to be truly great. You need to know how to clear a song, how to negotiate, how to draft a license, and not only how to keep track of all that paperwork, but translate the important information to the entire production team – while still keeping everyone happy. The best music supervisors are extremely creative and extremely organized. Madonna Wade-Reed is one such music supervisor.

A spitfire with wild hair and limitless energy, Reed got into “the industry” via the music video world and, after segueing into supervision, has worked on a wide variety of television and film projects. On the film side, A Thousand Words (yet to be released), My Boss’s Daughter, The Perfect Scoreand most recently, the television movies and FRED 2: Night Of The Living Fred and Fred: The Movie (based on Lucas Cruikshank’s popular YouTube character), for which she received a nomination by The Guild of Music Supervisors for their “Best of 2010” awards. On the television side the Montreal, Canada native has music supervised several hit series known for their stellar soundtracks: Summerland, What About Brian, Smallville, Felicity, to name just a few, the last being one of the first to bring attention to music in television, paving the way for the music driven shows of today. She even kicked off the first two seasons of CW mainstay, One Tree Hill, and most recently created the sound for the Charlie’s Angels reboot for ABC, which was unfortunately cancelled a few weeks ago, but featured tracks by artists from Lykke Li to Rise Against to Jennifer Lopez.

In between wrapping up her third season on raunchy college football comedy, Blue Mountain State (Spike) and the January 3rd premiere of Jane By Design (ABC Family), Madonna took time to put together a mix of songs for TA that are guaranteed to take you to a magical place, titled “Adult Fairy Tales.” We then met up at the delightful Oaks Gourmet, where she gave me some insight into her own journey, creating a successful soundtrack, the difference between fairytales for adults and children, and her most transcendent concert experiences (trust me, they can’t be beat).

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