By Amanda DK

Behind many independent music supervisors, especially in the television world, there is a studio executive working with several other independent music supervisors trying to keep multiple shows on course and colleagues on all levels happy.More often than not, these are the less glamorous positions; their names may not be in the credits, but studio music execs are still reading every script, watching every cut, solving clearance struggles and giving creative notes.  Not only that, the creatives on a project (director, producers) can sometimes perceive them as the “bad guy,” pushing corporate studio agendas at the expense of their vision.  The best ones can serve both to an equal degree at the same time – Russell Ziecker is one of these.
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