Music search. Creative brief. Whatever you call it, artists, pitching companies, labels and publishers all want to find one in their email inbox. Every third cold email from a new company asks to be included on search lists…despite that being somewhat of a fallacy. While most Music Supervisors don’t have one “brief list” that they reach out to for every search, we do have “go to” people for certain genres, budgets, types of artists, etc.
How to first get on the radar is a separate post entirely. But then how do you become one of those trusted sources? How do you get on the proverbial “search list”? This is going to seem like a Catch 22 – but the answer is by really delivering on any searches you do receive.
Fortunately this often has little to do with whether your song is actually selected. Certainly striving to meet the creative need is a part of it, but especially given how hard it can be to hit a target you can’t see, how the music prepared, packaged and sent plays a large role as well.
As with everything I write, I offer the big disclaimer that every Music Supervisor has their own preferences, so read every part of any search email you receive, and make sure to follow any delivery requirements specified. For those new to the pitching game or unsure where to start however, that the below should provide a good foundation of tips to follow (or avoid).