songwriters

Durango Songwriters Film & TV Expo 2016 / 9 Tips for Presenting Your Music to Music Supervisors

Music with a view – Ventura, CA

Another fantastic Durango Songwriters Film & TV Expo has passed, full of music (both live and recorded), delicious tacos and hanging out at the firepit into the wee hours.

As mentioned in the recap of my first trip to Ventura last year, it’s one of the few conferences most music supervisors genuinely enjoy and get excited about. After all, what’s not to like about spending the weekend (almost) literally on the beach? On the other side of the table, artists benefit from the fact that, unlike other events where music supervisors flee immediately after their panels, we are all staying in the same hotel for over two days, so there is ample opportunity to form real relationships. This arrangement however, has as much potential to go wrong as it does to go right. For more on navigating and getting the most out of this tricky networking situation check out last year’s post.

This year the idea for what type of follow up artists might find valuable came immediately. While the conference provides good guidelines for attendees, after a few conversations with other music supervisors we came up with a few more specific suggestions to add to help artists get the most out of their Durango experience – or really any conference in which you are presenting music to music supervisors.
(more…)

TuneCore Interview Follow Up Part II: 10 Mistakes Artists Make When Pitching Music

Processed with VSCOcam with b1 preset
Another photo from an upcoming Sessions At The Steps performance!

This is the second of two posts written as a follow up to my interview with TuneCore that came out earlier this month. Check out the full article here, and thank you again to TuneCore for having me!

Last week I further articulated some benefits I’ve found to using unsigned or independent artists in projects. Today I address a topic most music supervisors I know could pontificate on for hours and hours: mistakes artists make when pitching their music.

Because I am an unabashed fan of listicles, I kept it to just ten pitfalls to avoid if you are an artist trying to bust into this crazy world. To any fellow music supervisors reading this, I would love for you to add more in the comments!

To begin, here is the question (and my answer) from the original interview:
(more…)