A look at the art of the perfect cover and some impactful pairings with visual mediums
By Bekah Touma
The first few notes sound oh so familiar…you may start to hum or sing along but soon realize something seems to be slightly off. Ah yes, this must be a cover. After racking your brain for the original the cover starts sinks in. Here is where I decide if I love it or hate it.
Finally we are coming to the grand finale of awards season, the 83rd Annual Academy Awards. If you’ve been following Tadpole Audio’s essential award season coverage, you’ll notice that like the Best Picture or Best Actress nominees, most of the below contenders for the music in film awards have appeared over and over again – at the Globes, Grammys, and consequently on this blog. Chances are you’ve all gone out and seen the movies by now too, so if you didn’t listen to score selections or original songs on this site, you still pretty much know what I’m talking about. Just in case you are still hungry for more:
There are still some surprise appearances though, so read on to check those out, plus Tadpole Audio’s thoughts, predictions, hopes and dreams for the big night.
Now that the holidays are over, and with them all that “peace on earth and goodwill towards men” nonsense, it’s that magical time of year again when judging people is not only acceptable – it’s glorified. That’s right folks, it’s awards season. Which means for the next few months we all turn into Statler & Waldorf and every website/blog/TV show/magazine will feature the current crop of Hollywood darlings, leaping on every word and unflattering dress (or suit), debating how worthy they are for each and every nomination.
Often times at these shindigs, the music segment is overlooked – not everyone immediately thinks, “Ooh, that cue was so complex!” or stays for the more than five seconds of the end credit song – so here’s a little spotlight on what’s being voted on this weekend at the 68th Annual Golden Globes:
I’ll be honest, I wasn’t going to put a list together – it just seemed too daunting, I was bound to forget important ones, definitely haven’t gotten a chance to listen to many of the most lauded – but then a friend called me out and I naturally I had to rise to the challenge.
I don’t want to call this a “Best of 2010” list, because I feel kind of like a fraud saying that. Music is so subjective. To this day I still don’t really understand the mad mass love of Beach House. Maybe I’ll discover what I’m missing in 2011, but for the moment it is not music that grabs me personally.
That being said, I now present my favorite 25 albums and 5 EPs of 2010…
First, apologies for how belated this is. Second, I probably shouldn’t admit this, but I don’t usually enjoy listening to film and TV scores.
Its not that I don’t find them interesting, or that I groan every time I have to review a composer reel for work (though I will if I have to listen to 12 composer reels in a day) – I just don’t think to put on a score for pleasure listening. With the Golden Globe nominations announced yesterday, I just had to give it up to Atticus Ross and Trent Reznor – their music for The Social Network might be the first film score I’ve actually had on repeat outside of the office.